My friend Art Fossa died the other day. Some of you might have met him through his side business Aide De Camp books. He always had a smile and a quick laugh and was fun at the table during a game. I remember a game where is put civilian figures out and farm animal's. He laughter and soon were were playing is the next hidden animal. He especially laughed at the cats by the farm house. I will miss him a lot. And just to upset to say more
Amos Doolittle (1754-1832), a New Haven silversmith and engraver was a member of the Governor's Second Company of Guard. Receiving word of the fighting on 19 April, 40 volunteers of this company marched to Cambridge, MA, arriving on 29 April. Among the ranks were Doolittle and a portrait painter named Ralph Earl. Although Earl is not recorded as being a member of the company he nevertheless came along.
Camp life being dull, the two received permission to journey to Lexington and Concord in order to investigate sites of the recent conflict. In early May, the two men traveled from Cambridge out to Lexington and then Concord. Doolittle interviewed numerous participants while Earl sketched the landscape. Amos instructed the painter as to what activities were to be depicted in each scene; and even posed with musket when needed. Only a solitary person - Levi Harrington from Lexington reported the visit, "...a stranger from Connecticut came here to take a sketch of the village as it appeared on the 19th of April 1775... and he afterwards published a series of copper plate engravings".
By late May, Doolittle and Earl had returned to home where the four paintings were copied onto copper and "neatly engraved" plates used to make a set of prints. These we're sold either "plain ones or coloured". Curiously neither placed their name on the advertisement. There were claims that Doolittle used the water colors of a 14 year old for his engravings but those paintings were done in 1777-78; probably from Amos's 1775 prints. In 1831, Doolittle credited Earl as his cohort in conversations with historian J. W. Barber and the friendship of the two was verified in June 1800 when the noted artist Earl displayed his work at the home of Doolittle.
THIS DAY PUBLISHED, and to be SOLD at the STORE of Mr. JAMES LOCKWOOD, near the College, in New-Haven, Four different views of the BATTLES of LEXINGTON, CONCORD, etc. on the 19th of April 1775" "Connecticut Journal" December 13, 1775
Thus was advertised the only pictorial record by a contemporary American of the events of 19 April. While historians have noted minor inaccuracies, the general consensus has been that the four prints are a correct, detailed representation of the fights
The Concord plates (II and III) depicted "A View of the Town of Concord with the Ministerial Troops destroying the Stores" and "The Battle at the North Bridge in Concord"; Lexington plates, "The Battle of Lexington" (I) and "The South Part of Lexington where the first Detachment were joined by Lord Percy" (IV).
By the late 1800s/early 1900s the plate were being carefully studied by historians of the battle. Though crude they were rich in detail and depicted the story from the colonists side. Both Allen French and Harold Murdock used the plates in their ground breaking books and essays. Criticism of the plates centered on the fact that no British soldiers had been interviewed and thus the prints were biased and propaganda for the colonials. In addition small detail errors were pointed out - uniforms and equipment wrong, formations and troop dispositions incorrect. To the complaint that too many activities were depicted at once, Doolittle answered that his intent was to condense time at each location and show as many events as possible in each scene.
How many original prints were published, how many complete or partial sets remain and what happened to the original engraved plates and paintings are questions that remain unanswered. Over the years, numerous re-engravings and reprints have been done but searches for the Earl paintings have produced but one possible item; The "View of the Town of Concord" that currently is displayed at the Concord Museum. But this too is shrouded in controversy with some individuals thinking it to be an original (passed Minots to Brooks to Merricks to Buttricks) while others believe it to have been painted by a Concord man, who copied from the Earl version.
If anyone out there happens to be in the area I will be giving a talk at the Fort Devens Museum on Saturday 29 April. Please stop by and say hello!
The Sudbury Fight, King Philip’s War
April 20, 1 PM
Fort Devens Museum, 94 Jackson Road, Devens, MA
On April 21, 1676 over five hundred Wampanoag, Nipmuc, and Narragansett warriors attacked the frontier settlements of Sudbury (today Sudbury and Wayland) in the Massachusetts Bay Colony. Various companies of English militiamen from nearby settlements marched to that town’s defense and were drawn into ambushes and suffered heavy losses. The battle was the largest fight and the last major Native American victory in King Philip’s War before their final defeat in southern New England in August 1676. All but forgotten today, the sites and stories of this battle are still there to be found by the curious who look for them.
Mark Nichipor is a local historian interested in the Colonial and Revolutionary History of New England. He was a National Park Service Ranger at Revolutionary War sites until retiring after nearly thirty years. He served as an instructor in the NPS Historic Weapons Safety Program and ran The Staff Ride Programs for military visiting Minute Man and Bunker Hill parks. He has a number of published articles on Revolutionary War history.
The Fort Devens Museum is located at 94 Jackson Road, Devens, MA, on the third floor and is wheelchair accessible. This event is free and open to the public with donations gratefully accepted. Thanks to the Harvard Cultural Council.
I have seen a lot of talk about the Cigar Box Mats over the last couple years. Almost always positive reviews. They are printed on a blanket type material which folds nicely over hills and gives a good appearance. In addition fields, woods and roads are printed on the mat. Helps with the set up or you could just put terrain. Pieces over it.
I was able to pick one up used at a good price. Unfortunately it was for 15mm and has narrow roads but it should still work for my 25mm figures. After it arrived I set it up and threw a few miniatures and terrain items on it. I think it looks good; but I am going to have to keep my eye out for another on to cover my table.
Does every Napoleonic wargamer have painted a battalion or more of the French Imperial Guard? Probably. And how many games do they really get used or see the table top. Again probably not many. But you just have to have them. So here is a new use for those figures that may be gathering dust. And once again we turn to that neglected but excellent for wargameing period the War of 1812 in North America and the Battle of New Orleans!
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The Battalion d'Orleans or Plauche's Battalion was one of the most colorful units in the American army of the War of 1812. The Battalion participated in the defeat of the British forces at the Battle of New Orleans. The Battalion was a continuation of units which had existed under the French and Spanish regimes and were reorganized by the territorial act of January, 1805. Napoleon had raised and equipped three companies of French Creoles in New Orleans in 1803 after losing Santo Domingo. It is probable that these companies became the core of the Battalion d'Orleans. New Orleans remained very pro-Bonapartist durin this period. They felt a special connection to him because the Empress Josephine was a French Creole. Also, many high ranking Napoleonic exiles fled to New Orleans after the Bourbon regime was restored in France.
After "the Battle" as New Orleanians called it, the Battalion changed it's name to the Louisiana Legion and remained in service until after the Civil War. Throughout its history, the Battalion was known for its resplendent, colorful uniforms of French design. The Battalion was modeled on the Imperial French army of the Emperor Napoleon I. They used the same drill manual and closely approximated the French uniform. Indeed, many members of the Battalion were veteran soldats and officers who had served with Napoleon before moving to New Orleans.
The Battalion consisted of two centre companies (Francs and Blues), two flank companies (Carabiners and Chasseurs) and a company of Dragoons. The flank companies had uniforms based on those of the French Imperial Guard. The centre companies were dressed as the line. The Battalion also had its own flag, adjutant, surgeons, fouriers, and band. A description of the unit's flag in the 1820's describes it as having the words 'Honneur, Patrie, Discipline, Valor' embroidered on it.
During the Niagara campaign of 1814, the US Left Division included a brigade of volunteers under the command of General Peter Porter. The including troops from New York and Pennsylvania. They acquitted themselves well in both the battle of Chippewa and Lundy's Lane, much to the surprise of skeptical regular army officers!
Pennsylvania and New York each had various state militia uniform distinctions. However during the 1814 campaign they were supposed to be equipped by the US government and dressed much like the remainder of the Left Division. The leather shako and short grey roundabout jackets or blue coats were very much in evidence.
But the question arose how to portray them on the table top? I wanted them to look more organized then most militia but less regular then regulars. I turned to the amazing figures from Knuckleduster miniatures. These have been sculpted to portray such an unusual outfit. The bayonets are unfixed and in their scabbards, Each figure has a variety of irregular equipment and clothing. Their shakos are not trimmed out to the full extent one would expect of a disciplined regular. Most have substitute headgear such as straw hats, round hats, and old felt shakos or caps are worn by some of the troops.
Although some have the standard issue regular blue coat, others have civilian coats. A few wear work smocks, These were a very common item in camp and are rarely seen on the wargame table. The pattern formed the basis of the rifle frock, which had the addition of fringe and a "cape" (layer of cloth over the shoulders, also with fringes).
Miltia units sometimes painted their unit designations on the shakos rather than wearing a shako plate. They were also quite fond of decorating their knapsacks, canteens, and caps with stars, eagles, and other patriotic designs.
lastly, there is a marvelous militia general. He is dressed to the nines and has a most self satisfied expression on his face. A outstanding miniature!
Altogether a nice impression for the period and a unique look for an over looked period.
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